One musing.
A short essay, 600–1,200 words. About the dad in the noodle commercial, or the auto-rickshaw, or the friend I owe a haircut. Written between 11 p.m. and midnight, edited Sunday morning over coffee.
One short essay, in your inbox, most Sundays. Sometimes a short fiction on the side. no threads, no tips, mostly. Designed to be read with the second cup of coffee, before the day asks for anything.
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A short essay, 600–1,200 words. About the dad in the noodle commercial, or the auto-rickshaw, or the friend I owe a haircut. Written between 11 p.m. and midnight, edited Sunday morning over coffee.
About once a month, a short fiction joins the essay — a few hundred words about someone doing something slightly strange. Often unresolved. Always unexplained.
A single line at the bottom of the email — what I'm reading, what I'm writing, what I'm avoiding. Three sentences total. The currently strip, but earlier.
It's the dad in the noodle commercial. It's never the friend's actual divorce. A theory about distance, another about shame, and an apology that arrived eight weeks too late.
There are forty-one unanswered texts in my phone right now. I am not avoiding them. I am also not not avoiding them. This is the philosophy of maybe, applied to friendship.
The 8:47 auto-rickshaw didn't really say no, but it didn't say yes either, and somewhere inside that ambiguity I had to live for the next eleven minutes.
My phone has been telling me my own name is wrong for three years. I keep correcting it. It keeps correcting me back. Somewhere in here is a parable.
There is a version of me, in meetings, who knows what he is doing. He sits very still. He uses words like "directionally." I do not know him. I keep him alive for the sake of the household.
To a stranger on the metro. To a colleague who took credit. To my father in 2014. To my father in 2023. To the boy at the chai stall who knows my order but not my name.
no spam · unsubscribe in one click · I read every reply.